Twelve etudes for solo piano by French composer Bruno Duplant and interpreted by pianist Guy Vandromme, each etude consisting of eight lines of lowercase letters a-g representing white keys, with accents, uppercase shifts, apostrophes, &c. affecting those letters, the performer given an "infinity of possibilities" through choices of combinations and repetions of the score.

A series of eight "voices" for piano, extended minimal works slowly unfolding in the performance of composer Carlo Inderhees' "8 stimmen" composition for solo piano, expressed by Guy Vandromme as the piece answers the questions "what is music made of?" with the word "voices: a sequence of sounds and silences, with its own consistency".

A beautiful rendering of French composer Eric Satie's 1918 masterwork "Socrate", originally for four sopranos and chamber orchestra, here stripped to its essence as a duo with Olalla Aleman on soprano and Guy Vandromme on piano, maintaining Satie's characterist reserve and refinement in the 3 parts: "portrait of socrates"; "banks of the ilissus"; and "death of socrates".

John Cage wrote his "Number Pieces" in the last years of his life, using his time bracket technique of short fragments allowing the performer flexibility in interpretation; each piece is titled for the number of performers and its ordinal position in the series, and most pieces are dedicated to a musician; here pianist Guy Vandromme performs three of the "One", or solo, series.

Burkhard Schlothauer presents two works by John Cage written for septet, using indeterminacy in a score where each instrumental part is given twenty time brackets, allowing overlapping sounds which will be shaped depending on choices from each performer.